Those bodies of self-representation disappears. They turn into myth inherited from an indirect cultural experience of colonialism, modernism and then was derived as a new culture. ...
Province: DKI Jakarta
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A Perfect Fiction of the Omniscient Third Person
In the story that She/he told, there is drama. Represented by the movement dimension that portray the reality of real life. There are whimsies and doings of human beings through the characters. There are dialogues, of course, that She/he picked up from the previous events since a long time ago,…
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The Perspective of Reciprocal Dimension
Through these limitations in this project, the limitations that gives us the chance to create a new narrative with the way of enlargement. With a camera and a telephoto lens, I was experimenting with the corner of my spotlight. I change the angle of the spotlight of miniatures, which actually…
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Disrupting the Narration
Although the visual of the diorama is three dimension that can be seen from many directions, the diversity of spectator views of the diorama are not as rich as it should be.
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The Modified Loveliness
Enlargement from the already established mainstream narrative became the target of our framing, AKUMASSA-Diorama team, along with technology that we used which was camera and the possibility of zooming that allowed us to see things that are trapped inside glass box.
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Transparent Bridge
Ah! I was reminded of my friend’s experience when he was observing and taking a picture of diorama using a SLR camera with additional feature of tele lens.
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Vending Machine and Diorama: The Battle Between the New and the Old Product
The result of the creative work does possess risks on the presentation. Argumentation responding to the matter will arise, both positive and negative.
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Experiencing History: Bodily or Distanced?
This findings come from the enlargement that I do with camera as an performative act becoming way more relevant for me to interpret in terms of seeing Indonesia’s past experience because this forms that I see are still exist and I can still experience it.
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Becoming a Cartographer is Easy!
The surprise amazement came when I entered a modest gallery in Tebet Timur, South Jakarta. On June 7, 2012 evening, I took the time to attend the opening event of DRIFT: Pameran Seni Multimedia which was initiated by ruangrupa.
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TPS Kelapa Dua
My eyes went back to those waste workers. Some of them were busy unloading, lifting and pushing the waste, while Sobri seemed engrossed in conversation with someone wearing a shirt. I did not know what they were talking about. Maybe they discussed the waste, or maybe something else.