In Jatul’s work of archives, the public of archives did not just have a collective tendency, but also awareness of the contribution of culture that was indeed built together like the relationship between a farmer and his rice granary.
03 – Location
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When Ismal Met an Imaginary Straight Line
Ismal built a gate that was placed at the end of Bangsal pier, and another gate in front of the vihara on the hill of Tebango Bolot Village: as two points which connected an imaginary straight line about the bond of friendship of the residents of Pemenang.
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The Companionship Between Jabo and Zakaria
Zakaria and Javo. Their meeting produced a discussion about the action of discourse that imagined that the traditional art, that seemed to be treated like an antique all this time, could be present in a new way.
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Asta Met Bangsal Cup
Asta, the monologue actor, got a valuable experience of collaboratively working process that he had done with the theater group before, and this time with ordinary people like himself, by freeing the aesthetics of art itself.
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When Nash Met Bangsal
In Bangsal, Nash met the demographic of professions of inhabitants of Bangsal. They were porters, cidomo coachmen, Bangsal traders, and people who walked around the dock. Nash disturbed them. He expected none other than their reaction. The issue of garbage brought by Nash was an issue that he always presented…
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Eleven Stories from the Southeast – “Prologue”
Surely Pemenang can be formulated as long as the consideration of what we refer to as 'on equal terms' should be prioritized. Once again it is not in the realm of material because I myself believe in the abstract ideas that are more perfect than reality itself, when we consider…
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A Perfect Fiction of the Omniscient Third Person
In the story that She/he told, there is drama. Represented by the movement dimension that portray the reality of real life. There are whimsies and doings of human beings through the characters. There are dialogues, of course, that She/he picked up from the previous events since a long time ago,…
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The Perspective of Reciprocal Dimension
Through these limitations in this project, the limitations that gives us the chance to create a new narrative with the way of enlargement. With a camera and a telephoto lens, I was experimenting with the corner of my spotlight. I change the angle of the spotlight of miniatures, which actually…
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Disrupting the Narration
Although the visual of the diorama is three dimension that can be seen from many directions, the diversity of spectator views of the diorama are not as rich as it should be.
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The Modified Loveliness
Enlargement from the already established mainstream narrative became the target of our framing, AKUMASSA-Diorama team, along with technology that we used which was camera and the possibility of zooming that allowed us to see things that are trapped inside glass box.