There's no difference between the ordinary people and the artists? They were equally citizens who inhabited social location. The role of citizens was to raise their dignity of life; the artists was being the committee.

Bujangan Urban began to spread hundreds of his colorful sunflowers on the walls of Pemenang. Hadi was the one who negotiated with the owners so that the walls were allowed to be painted. Bujangan Urban ...

Saling Gitaq (watching each other). That was the name of their footage bank program that finally continued as a regular program on Wahid’s cable TV. Saling Gitaq, which could be defined as a reading of the phenomenon of social media today, was a situation...

In Mr. Emy and children of Karang Baru’s action, there was no romanticism about the use of used goods. The sensitivity of the children to that had been sharpened by Mr. Emy since the beginning, to be aware of ...

The story about how Bangsal had used to be a playground for all people of Pemenang always became a topic of discussion that The Broy heard during his time in Pemenang. The loss of various activities...

It was simple. The group that managed the local wisdom had a plan to attach the texts from the holy book in the houses of people of their community and Sulung offered himself to make them.

In Jatul’s work of archives, the public of archives did not just have a collective tendency, but also awareness of the contribution of culture that was indeed built together like the relationship between a farmer and his rice granary.

Ismal built a gate that was placed at the end of Bangsal pier, and another gate in front of the vihara on the hill of Tebango Bolot Village: as two points which connected an imaginary straight line about the bond of friendship of the residents of Pemenang.

Zakaria and Javo. Their meeting produced a discussion about the action of discourse that imagined that the traditional art, that seemed to be treated like an antique all this time, could be present in a new way.