Asta, the monologue actor, got a valuable experience of collaboratively working process that he had done with the theater group before, and this time with ordinary people like himself, by freeing the aesthetics of art itself.

In Bangsal, Nash met the demographic of professions of inhabitants of Bangsal. They were porters, cidomo coachmen, Bangsal traders, and people who walked around the dock. Nash disturbed them. He expected none other than their reaction. The issue of garbage brought by Nash was an issue that he always presented…

Surely Pemenang can be formulated as long as the consideration of what we refer to as 'on equal terms' should be prioritized. Once again it is not in the realm of material because I myself believe in the abstract ideas that are more perfect than reality itself, when we consider…