In Jatul’s work of archives, the public of archives did not just have a collective tendency, but also awareness of the contribution of culture that was indeed built together like the relationship between a farmer and his rice granary.
Darivisual
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When Ismal Met an Imaginary Straight Line
Ismal built a gate that was placed at the end of Bangsal pier, and another gate in front of the vihara on the hill of Tebango Bolot Village: as two points which connected an imaginary straight line about the bond of friendship of the residents of Pemenang.
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The Companionship Between Jabo and Zakaria
Zakaria and Javo. Their meeting produced a discussion about the action of discourse that imagined that the traditional art, that seemed to be treated like an antique all this time, could be present in a new way.
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Asta Met Bangsal Cup
Asta, the monologue actor, got a valuable experience of collaboratively working process that he had done with the theater group before, and this time with ordinary people like himself, by freeing the aesthetics of art itself.
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When Nash Met Bangsal
In Bangsal, Nash met the demographic of professions of inhabitants of Bangsal. They were porters, cidomo coachmen, Bangsal traders, and people who walked around the dock. Nash disturbed them. He expected none other than their reaction. The issue of garbage brought by Nash was an issue that he always presented…
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Eleven Stories from the Southeast – “Prologue”
Surely Pemenang can be formulated as long as the consideration of what we refer to as 'on equal terms' should be prioritized. Once again it is not in the realm of material because I myself believe in the abstract ideas that are more perfect than reality itself, when we consider…
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Art On Senen Border
Although later those productions still had to enter the exclusivity to be recognized as ‘art’, because there had to be a person called ‘artist’ who would frame it with his or her subjective sensitivity, still, did they realize that they got it from society?
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The Women of Pondok Kaleng
Photography project about women in Pondok Kaleng initiated by Auviar depicted another definition of the women’s role in society in Indonesia. Presumably, there was a notion of the domestic realm that no longer seen as the subordination of women because of a dense residential neighborhood just bring opportunities for those…
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The Objectivity of Instinctive Frame
Photography Exhibition by Children from Paseban was a narration or fragment of event and instinctively captured objects through photographic capture. Playing with the medium and having unlimited way to the constructive frame became technical characteristics which were put forward, or unconsciously became the children’s uniqueness in this exhibition.
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Art is Research; Research is Art
Akumassa gives priority to an action that encourages the residents to read themselves. The measurement standard of problem object of the residents is not determined by the researcher. Perspective and paradigm come from the residents, the reliability of the research result and the artwork quality ultimately will be legitimized by…