In the story that She/he told, there is drama. Represented by the movement dimension that portray the reality of real life. There are whimsies and doings of human beings through the characters. There are dialogues, of course, that She/he picked up from the previous events since a long time ago,…

Through these limitations in this project, the limitations that gives us the chance to create a new narrative with the way of enlargement. With a camera and a telephoto lens, I was experimenting with the corner of my spotlight. I change the angle of the spotlight of miniatures, which actually…

Although the visual of the diorama is three dimension that can be seen from many directions, the diversity of spectator views of the diorama are not as rich as it should be.

Enlargement from the already established mainstream narrative became the target of our framing, AKUMASSA-Diorama team, along with technology that we used which was camera and the possibility of zooming that allowed us to see things that are trapped inside glass box.

Ah! I was reminded of my friend’s experience when he was observing and taking a picture of diorama using a SLR camera with additional feature of tele lens.

The result of the creative work does possess risks on the presentation. Argumentation responding to the matter will arise, both positive and negative.

This findings come from the enlargement that I do with camera as an performative act becoming way more relevant for me to interpret in terms of seeing Indonesia’s past experience because this forms that I see are still exist and I can still experience it.